Hales Gallery is pleased to announce The Dallas Museum of Art's acquisition of Marcia H Travels (1970), the first work in the DMA's collection by Frank Bowling. The work will be on view in Frank Bowling: Map Paintings opening at the DMA in February 2015.
Bowling, widely celebrated for his contributions to the field of abstraction and his advocacy of black artists internationally, created a number of paintings in the 1970s characterized by his use of world maps as organizational tools to explore color as its own subject-a recurring theme in his work. Marcia H Travels is part of this influential "Map Paintings" series and will be featured in the DMA-organized exhibition exploring this pivotal moment in Bowling's engagements with abstraction.
Featuring four monumental works, the remaining three from private collections, Frank Bowling: Map Paintings, opening February 20, 2015, will mark the first time in nearly 45 years that these "Map Paintings" will be brought together since their debut at the Whitney Museum of American Art in 1971. The acquisition of Marcia H Travels is among the first initiatives by the DMA's new Hoffman Family Senior Curator of Contemporary Art, Gavin Delahunty. The exhibition, on view through August 2, 2015, highlights Delahunty's particular focus on celebrating overlooked artists and underrepresented identities.
"As the Dallas Museum of Art continues to expand its robust program of contemporary art and exhibitions, we are particularly attuned to incorporating the voices of living artists and representing the diversity of achievements and perspectives in today's artistic practice," said Maxwell L. Anderson, the DMA's Eugene McDermott Director. "We are proud to have in our collection a work of this caliber by Frank Bowling. The addition of this painting provides a richer understanding of contemporary art across cultures, geography, and time."
"Frank Bowling has challenged traditions his entire career, establishing his own path in the art world. In his 'Map Paintings,' Bowling pushed the boundaries of formal painting practices, and approached abstraction with a remarkable freedom," said Delahunty. "Lush and beautiful with its contrasting zones of color and color-tone, Marcia H Travels alludes to the social and political influences on abstract art of the 60s and 70s. I am particularly delighted that our viewers familiar with Bowling's work will have the opportunity to once more see these important works side-by-side, and that a new generation will be able to acquaint themselves with a piece of art history opening up exciting new possibilities for the Museum."
Frank Bowling: Map Paintings will explore the development of the series and Bowling's influences as he forged his artistic path. Created while he was living and working in New York, the "Map Paintings" demonstrate Bowling's commitment to abstraction in a period characterized by vast experimentation.
Marcia H Travels, named for Bowling's friend and fellow artist Marcia Hafif, embodies his map technique, in which Bowling uses a projector to trace outlines of countries and continents. These outlines create boundaries and anchors for Bowling's formal and experimental engagements with color. Marcia H Travels reveals stencils of South America on the far left, Africa in the center of the painting, and Guyana in the top right-hand corner. Their simultaneous disclosure and concealment of a ghostly "map" shrouded in color secure an intensity of focus from the viewer, one hovering at the limits of perception and emotion.
About Frank Bowling
Frank Bowling OBE RA (b. Guyana, 1936) moved from Guyana to London in 1950. Bowling won a scholarship to study at the Royal College of Art in 1959 (at the RCA he was mentored by Francis Bacon and educated alongside David Hockney and R.B. Kitaj) and graduated in 1962 with both a Silver Medal in Painting and a travel scholarship that took him to South America and the Caribbean. He was a contributing editor at Arts Magazine from 1969 to 1972, during which time he became active in the civil rights struggle for black artists to gain greater visibility in American museums and galleries. He has held teaching positions at many institutions, including lectureships at the University of Reading, Massachusetts College of Art, Rutgers, and Columbia University. In 2005 Bowling became the first black British artist to be elected to the Royal Academy, and he was appointed Officer of the British Empire (OBE) in 2008.
Selected solo shows include Tate Britain (2012), Royal Academy of Arts (2011), the UK touring retrospective Frank Bowling: Bending to the Grid (2003), Serpentine Gallery (1986), and Whitney Museum of American Art (1971). His work can be found in numerous public and private collections including the Metropolitan Museum of Art, Museum of Modern Art, Museum of Fine Arts Boston, Royal Academy of Arts, Tate, Victoria & Albert Museum, and Whitney Museum of American Art. Marcia H Travels was exhibited at the 2003 Venice Biennale as part of Fault Lines: Contemporary African Art and Shifting Landscapes, curated by Gilane Tawadros.
About the Dallas Museum of Art
Established in 1903, the Dallas Museum of Art (DMA) is among the 10 largest art museums in the country and is distinguished by its commitment to research, innovation, and public engagement. At the heart of the Museum and its programs is its global collection, which encompasses more than 22,000 works and spans 5,000 years of history, representing a full range of world cultures. Located in the nation's largest arts district, the Museum welcomes over 650,000 visitors annually and acts as a catalyst for community creativity, engaging people of all ages and backgrounds with a diverse spectrum of programming, from exhibitions and lectures to concerts, literary events, and dramatic and dance presentations. In January 2013, the DMA returned to a free general admission policy and launched DMA Friends, the first free museum membership program in the country, which currently has over 80,000 members. For more information, visit DMA.org.
The Dallas Museum of Art is supported, in part, by the generosity of DMA Partners and donors, the citizens of Dallas through the City of Dallas Office of Cultural Affairs, and the Texas Commission on the Arts.