Eight cast members, including the artist, covered in paint with paper, plastic, rope, and paint brushes activating flesh as material with raw fish, meat, and poultry. Performed at the Festival de la Libre Expression, American Center, Paris; Dennison Hall, Vauxhall Meeting House, London and later at Judson Dance Theatre, Judson Memorial Church, New York, NY.
Alexandra Juhasz, For Feminist Artists, Recognition Often Comes Too Late, Hyperallergic, 1 February 2021: https://hyperallergic.com/617414/for-feminist-artists-recognition-often-comes-too-late/
Publications
Lotte Johnson and Chris Bayley, Carolee Schneemann: Body Politics, Yale University Press: London, UK, 2022 Brandon W. Joseph, Mignon Nixon, Ara Osterwell, Judith Rodenbeck, Carolee Schneemann: Kinetic Painting, Prestel: Munich, Germany, 2015